Portishead Third Zip Rar Free
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File type: RAR
What is RAR?
RAR is a file archive format that allows for data compression. RAR files typically contain multiple files within them that have been compressed to save space and to allow for easier transfer electronically.
While RAR files can only be created with the WinRAR application, they can be opened by many programs.
Why can't I open RAR files?
In order to open RAR files, you must have a program installed on your computer that is capable of opening them. FileRatings can help you find an appropriate program.
To open RAR files use:
7-Zip
License: FreeOperating system: Win 7, Vista, XP, 2008, 2003, 2000, NT, ME, 98
From Wikipedia:
7-Zip is an open source file archiver designed originally for Microsoft Windows. 7-Zip operates with the 7z archive format, and can read and write to several other archive formats. The program can be used from a command line interface, graphical user interface, or Windows shell integration. 7-Zip began in 1999 and is actively developed by Igor Pavlov. It is related to a cross-platform port, p7zip.
Advantages:
Free • Efficient compression • Supports a wide variety of formats
A rar archive icon from The Unarchiver's icon set. | |
Filename extension | .rar, .rev, .r00, .r01. |
---|---|
Internet media type | application/x-rar-compressed |
Developed by | Eugene Roshal |
Type of format | Archive format |
Related Videos: RAR
From Wikipedia, the free encyclopedia
RAR stands for Roshal ARchive. It is a non-documented archive file format that supports data compression, error recovery, and file spanning. It was developed by a Russian software engineer, Eugene Roshal (the first letter of his surname contributing to the name of the archive format), and is currently licensed by win.rar GmbH.
The filename extension used by RAR is .rar for the data volume set and .rev for the recovery volume set. In previous versions, if a RAR-archive was broken into many smaller files (a 'multi-volume archive'), then the smaller files used the extensions .rar, .r00, .r01, .r02 etc.
Version 1 and 2 archive files were often used in conjunction with a parchive file archiver to create parity files for error recovery when using less-than-perfect file transmission and storage media such as newsgroups, satellite transmission, and optical discs. Version 3 has eliminated the need for third party post-processing.
Software
RAR files may be created only with commercial software WinRAR, RAR, and software that has permission from the licensor, Alexander Roshal (Eugene's brother). RAR for Pocket PC is the only freeware for creating RAR files.
Third party programs that can only read (unpack) RAR files include: WinZip (Windows), RarZilla (Windows), 7-Zip (multiplatform), IZArc (Windows), PeaZip (Windows, Linux), Zipeg (Windows, Mac OS X), ALZip (Windows), along with the free version of unrar (which is available for Linux and FreeBSD). Mac OS X readers include Stuffit Expander, The Unarchiver and Zipeg. Stuffit Expander is also available for Mac OS Classic with RAR support for this platform.
WinRAR
WinRAR is commercial software (or 40-day trial) available for Microsoft Windows. It is the only graphical tool that can write modern RAR files (RAR version 3). WinRAR's command line equivalent, RAR, is also commercial software (or 40-day trial), available for Windows, Linux, Mac OS X, MS-DOS, OS/2 and FreeBSD. Additionally, the unrar tool from the same distributor can be used on the aforementioned platforms to extract RAR files but not to write them.
Roshal created the RAR file format and developed programs for packing and unpacking RAR files, originally for DOS which were later ported to other platforms. The main Windows version of the archiver, known as WinRAR, is distributed as trialware, requiring payment after 40 days (although it can still be used after this period, albeit with nags); shareware versions of this program are also available for GNU/Linux, Mac OS X, DOS, OS/2, and FreeBSD, though they are all called simply 'RAR'. RARLAB distributes the source code and binaries for a freeware command-line 'unrar' program, although it is not under a free software license. This program can only decompress/extract, not create RAR files.
Other programs
There is a free software decompression library called 'unrarlib', licensed under the GPL, based on an old version of unrar with permission from the author Eugene Roshal, but it can only decompress archives created by RAR versions up to 2.x. Archives created by RAR 2.9 and later (which are most RAR archives found today) use a different format which is not supported by the free library.
Stuffit Expander (freeware associated with the paid-for Stuffit compression program) also decodes RAR files.
Portishead Third Zip Rar Free Download
Free RAR Extract Frog (Windows freeware with instructions in 50+ languages) also decodes RAR files.
The open source software archiver 7-Zip decompresses newer RAR files using a closed-source free of charge plug-in under the 'unRAR license'; the license makes the plug-in source-available but not free software. The free software Linux archivers File Roller, Ark, and Xarchiver can use the non-free unrar program to decompress RAR files, if it is found in the system path.
Portishead Third Zip Rar Free Download Windows 10
UnRAR.Dll
Is a free of charge Dll and Library that can be downloaded from the official WinRAR site. It is found under Extras.
Use one of the following applications to open RAR files:
- 7-Zip
License: Free
Operating system: Win 7, Vista, XP, 2008, 2003, 2000, NT, ME, 98
Zip Rar Free Download
Page Links: | Other Torrents - Comments |
File Name: | Portishead - Discography |
Download Torrent: | Portishead - Discography |
Description: | Biography Portishead may not have invented trip-hop, but they were among the first to popularize it, particularly in America. Taking their cue from the slow, elastic beats that dominated Massive Attack's Blue Lines and adding elements of cool jazz, acid house, and soundtrack music, Portishead created an atmospheric, alluringly dark sound. The group wasn't as avant-garde as Tricky, nor as tied to dance traditions as Massive Attack; instead, it wrote evocative pseudo-cabaret pop songs that subverted their conventional structures with experimental productions and rhythms of trip-hop. As a result, Portishead appealed to a broad audience - not just electronic dance and alternative rock fans, but thirtysomethings who found techno, trip-hop, and dance as exotic as worldbeat. Before Portishead released their debut album, Dummy, in 1994, trip-hop's broad appeal wasn't apparent, but the record became an unexpected success in Britain, topping most year-end critics polls and earning the prestigious Mercury Music Prize; in America, it also became an underground hit, selling over 150,000 copies before the group toured the U.S. Following the success of Dummy, legions of imitators appeared over the next two years, but Portishead remained quiet as they worked on their second album. Named after the West Coast shipping town where Geoff Barrow grew up, Portishead formed in Bristol, England, in 1991. Prior to the group's formation, Barrow had worked as a tape operator at the Coach House studio, where he met Massive Attack. Through that group, he began working with Tricky, producing the rapper's track for a Sickle Cell charity album. Barrow also wrote songs for Neneh Cherry's Homebrew, though only 'Somedays' appeared on the record. Around the time of Portishead's formation, he had begun to earn a reputation as a remix producer, working on tracks by Primal Scream, Paul Weller, Gabrielle, and Depeche Mode. Barrow met Beth Gibbons, who had been singing in pubs, in 1991 on a job scheme. Over the next few years, the pair began writing music, often with jazz guitarist Adrian Utley, who had previously played with both Big John Patton and the Jazz Messengers. Before releasing a recording, Portishead completed the short film To Kill a Dead Man, an homage to '60s spy movies. Barrow and Gibbons acted in the noirish film and provided the soundtrack, which earned the attention of Go! Records. By the fall, Portishead had signed with Go! and their debut album, Dummy, was released shortly afterward. Dummy was recorded with engineer Dave MacDonald, who played drums and drum machines, and guitarist Utley, who rounded out Portishead's lineup. Both Barrow and Gibbons were media-shy - the vocalist refused to participate in any interviews - which meant that the album received little attention outside of the weekly U.K. music press, which praised the album and its two singles, 'Numb' and 'Sour Times,' heavily. Soon, Go! and Portishead had developed a clever marketing strategy based on the group's atmospheric videos that began to attract attention. Melody Maker, Mixmag, and The Face named Dummy as 1994's album of the year, and early in 1995, 'Glory Box' debuted at number 13 without any radio play. Around the same time, 'Sour Times' entered regular rotation on MTV in America. Within a few weeks, Dummy and 'Sour Times' were alternative rock hits in the U.S. Back in the U.K., the album had crossed over into the mainstream, becoming a fixture in the British Top 40. In July, the record won the Mercury Music Prize for Album of the Year, beating highly touted competition from Blur, Suede, Oasis, and Pulp. Following the Mercury Music Prize award, Barrow retreated to Coach House to begin work on Portishead's second album. The self-titled record finally appeared in September 1997. The live PNYC followed late the next year. The self-titled record finally appeared in September 1997. Portishead went on hiatus starting in 1999, and Barrow, Utley and Gibbons worked on their own projects. In 2001, Barrow formed Invada Records, an experimental label that included Koolism on its roster. Barrow and Utley also recorded a cover of the instrumental rock classic 'Apache' as the Jimi Entley Sound that was released as a limited edition 7' single in 2002. The pair also worked as producers, with Barrow working under the moniker Fuzzface on Stephanie McKay's McKay album in 2003, and Barrow and Utley co-produced the Coral's 2005 album The Invisible Invasion. Gibbons collaborated with Rustin' Man, a.k.a. former Talk Talk member Paul Webb on the 2003 album Out of Season (Gibbons had also appeared on a few tracks by Webb's previous project, ORang). Portishead reconvened in 2005, performing their first live dates in seven years, including an appearance at the Tsunami Benefit Concert in Bristol, and recording material for their next album. Their version of 'Un Jour Comme un Autre (Requiem for Anna)' appeared on 2006's Serge Gainsbourg tribute Monsieur Gainsbourg Revisted, and in 2007 the band curated the Nightmare Before Christmas All Tomorrow's Parties festival. In 2008, a decade after their last album, Portishead returned with Third, the trio's most challenging, unpredictable work yet. Included albums : Dummy '94 Empress Ballroom (Live) Live At Bizarre Festival '98 Nobody Loves Me (Live) '95 Portishead '97 Portishead & Kraftwerk - Electric Dimension Remixes Vol.1 '05 Remixes Vol.2 '05 Roseland NYC Live '98 Sour Times (Single) '94 Third '08 Toy Box (Special Edition) '02 Portishead Seed Back. Overcome |
Genre: | Alternative |
Subgenre: | Trip-Hop / Indie |
Bitrate: | 320 k |
Size: | 1.22 GB |
Show/Hide Files: | |
Added: | 24/12/2009 |
Peer(s): | Seed(s): 1, Leecher(s): 0 = 1 Peer(s) |
Last Seed Update | 03/06/2021 12:04:00 |